Thursday, August 12, 2010

I don't draw horses or The Big Art Ed Question

Art does not come easily to me. I was not the girl who drew horses in fourth grade, when that was the thing to do. My early art experiences were in music. I played violin, piano and clarinet before age 12. My dad was a voice teacher and soloist. I grew up going to concerts and operas, and less to art galleries. When our family lived in Germany for two years (in 9th and 10th grade) I was dazzled by the works of Rembrandt, Van Gogh, Monet, DaVinci,  and Michelangelo that I saw in the art museums of Europe. My interest in the visual arts was born. Back home again in Oregon I began to make art my junior year in high school, not in a formal class but after school with my friends in the clay and metalsmithing rooms. My courage up, I took batik and weaving classes at Maude Kerns Art Center (I figured I couldn’t lose since the projects weren’t graded!) and a few private wheel throwing lessons. During my last year of high school I sold my work at the Eugene Saturday Market. Fourteen years later I earned my art degree from Portland State University.
I believe that art skills are available to everyone and that the creative process is not a secret society to which only the cognoscenti are privileged members. To that end, I wish to create an environment in my classroom conducive to exploration, play and process. There is a product, to be sure, but as a result of my experience last week in the Annie Painter Institute I hope to increase the variety of experiences spent in the processes of making art for my students. I will  give students more exploration experience before teaching each lesson. Some examples of this: more time making line, pattern, texture in drawing or stamping, before asking them to creating a background for their piece using 3-4 elements or principles of art. I think it would be great to have each student build their own notebook full of self-made examples of the elements and principles as a tool kit for future projects.
My students are 9th-12th graders and typically have no prior art class experience. They can be shy and concerned about their ability to succeed, but all of them do succeed (unless their attendance is poor). My goal is building the foundation of art skills in each medium I teach: fiber, clay and drawing/painting.  My realities are that I have short and long class periods, I see my students four times per week, and I switch mediums hourly. Set up and clean up are big factors in my teaching success. Having a budget for materials is essential as well. I’m grateful that my principal has requested enough money for my supply budget, since the materials fee (that students would pay) was eliminated two years ago.
A passion to create, a confidence in skill, a fearless attitude, an ability to quiet the inner critic and let the muse sing are the goals I have for the students I feel fortunate to teach.

Tuesday, August 3, 2010

Day 4

Today began with some lesson design planning time. I asked Lori and Wind to collaborate with me and help me brainstorm ideas. We talked about how to implement the things we've learned into our current curriculum. It became apparent that the lesson needed three or four days to do it justice.

After this time we went up to the Forum to learn about how children learn, in particular how they learn to create art and their schema development. It was interesting information that deserves more time! Remember when you were little and you drew a person with a circle for a head, two eyes and a mouth and two straight lines for legs? and gradually your person began to have arms, fingers, hair, a torso. Children make marks to symbolize things. Ask them 'tell me what's going on here', 'can you tell me more?".

The rest of the day was spent painting and drawing! Some of us painted wacky faces, others painted exaggerated dissected vegetables and fruit. Two inch squares of dried tempera paint (in cyan, magenta and yellow) were attached to our painting surface. Color mixing in small sections of each square was remarkably easy and effective. I was with the Wacky Faces group. When I showed my work to my husband he observed it looked like a coastline! That was completely unintentional!


Tempera paint chips attached with rubber cement

the unintentioanl coastline of wacky face






some of the fruit paintings



Drawing Time
exploration drawing using a variety of neutral hued tools such as marker, charcoal, pastel



Large white butcher paper strips covered our tables and we were instructed to play with the tools before us!




After some time in one place we rotated around the table to a new spot and interacted with the drawing in front of us!

more to follow...need to get ready for class now, it's the last day of 'school' today

Sunday, August 1, 2010

Weekend Homework

So I did my 10 page reading this morning, pp.67-77. It was good stuff. Gave me ideas for my teaching.
Painted a colorwheel grid using my Tempera Fine paints from the art supply store in Florence called Zecchi. I'm blown away by the potentcy and fineness of these three tubes of paint: cyan, magenta and giallo (yellow). Luscious, gorgeous, subtle colors are possible with just these three primary colors.
Put some of the photos I've taken online at costco and sent the order off 'to print' ...with 'torn edges'...so we'll see what that looks like! They'll be ready within the hour, so I'm going to head on out soon and get some groceries there too. I'm a little concerned about getting all the work required done for this course, such as what kind of lesson plan do I want to create? I'm not teaching a language, or science course or history course...I'm teaching art. Other than copying the lessons I'm learning I'm not sure how I'll do anything differently. I feel like I'm a slowpoke! I want to take more time, make better samples, do things over. Usually I'm the first one done, but this time it's different. I don't know why I have a sense of struggle, but there it is. Grade anxiety, maybe. Just want to do my best and not sure what that 'best' is supposed to look like. If I need to create a journal for someone else to look through, does it have to make sense to them or just to me? Does it need to be all spacious and gorgeous or can it by cryptic and messy? I have trouble distilling thoughts and then using beautiful artistic penmanship to make my thoughts look 'designed'...though I LOVE that look. My notes are little bursts of thoughts, with cloud-like bubbles drawn around them, underlined words, words with boxes drawn around them, arrows that point you from one place to another...a true map of my short-attention spanned mind!

Ok, just getting these words out on paper reassures me that I'm doing ok and to not sweat it.